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Описание
The life and times of Pieter Bruegel the Elder (c. 1526/30–1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba’s brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.
Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He would eventually increasingly turn to painting, working for the cultural elite of Antwerp and Brussels.
This monograph is a testament to Bruegel’s evolution as an artist, one who bravely confronted the issues of his day all the while proposing new inventions and solutions. Rather than idealizing reality, he addressed the horrors of religious warfare and took a critical stand against the institution of the Church. To this end, he developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions.
To produce this XXL-sized collection, TASCHEN undertook a comprehensive photographic campaign, capturing all the breadth and splendid detail of Bruegel’s oeuvre like never before. The result gathers all 40 paintings, 65 drawings, and 89 engravings in pristine reproductions—each piece a unique witness to both the religious mores and the close-knit folk culture of Bruegel’s time.
Marking the 450th anniversary of his death and his first ever monographic exhibition at the Kunsthistorisches Museum in Vienna, this volume is the most immersive journey into Bruegel’s unique visual universe.
Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied art history at the universities of Bochum, Münster, Pisa, Paris and Amsterdam, and has worked as an art critic and curated numerous exhibitions. He is also the editor of TASCHEN’s movies by decade series.
Thomas Schauerte manages the Albrecht Dürer House, the City Museum, and the art collections at the Museums of the City of Nuremberg. He is a graphic design specialist and teaches at the universities of Erlangen and Regensburg.
Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He would eventually increasingly turn to painting, working for the cultural elite of Antwerp and Brussels.
This monograph is a testament to Bruegel’s evolution as an artist, one who bravely confronted the issues of his day all the while proposing new inventions and solutions. Rather than idealizing reality, he addressed the horrors of religious warfare and took a critical stand against the institution of the Church. To this end, he developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions.
To produce this XXL-sized collection, TASCHEN undertook a comprehensive photographic campaign, capturing all the breadth and splendid detail of Bruegel’s oeuvre like never before. The result gathers all 40 paintings, 65 drawings, and 89 engravings in pristine reproductions—each piece a unique witness to both the religious mores and the close-knit folk culture of Bruegel’s time.
Marking the 450th anniversary of his death and his first ever monographic exhibition at the Kunsthistorisches Museum in Vienna, this volume is the most immersive journey into Bruegel’s unique visual universe.
Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied art history at the universities of Bochum, Münster, Pisa, Paris and Amsterdam, and has worked as an art critic and curated numerous exhibitions. He is also the editor of TASCHEN’s movies by decade series.
Thomas Schauerte manages the Albrecht Dürer House, the City Museum, and the art collections at the Museums of the City of Nuremberg. He is a graphic design specialist and teaches at the universities of Erlangen and Regensburg.
Характеристики
Автор | Müller Jürgen, Schauerte Thomas |
Издатель | Taschen |
ISBN | 978-3-8365-5689-7 |
Состояние | Новый |
Дополнение | Суперобложка |
Ширина (мм) | 450 |
Высота (мм) | 64 |
Количество страниц | 492 |
Язык | Английский |
Год издания | 2018 |
Место издания | Кёльн |
Тип обложки | Твердый переплет |
Вес товара (граммы) | 5895 |
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Со склада поставщика — до 5 рабочих дней.
Со склада офиса — в течение рабочего дня.
Сроки сборки заказов указаны ориентировочно, при изменении менеджер свяжется с вами.
Неоплаченный заказ резервируется системой на 3 дня.
Бесплатный пункт выдачи только в Москве:
Улица Долгоруковская, 36, корпус 2, метро «Новослободская».
Условия получения заказа указываются в уведомлении на ваш имейл.
Выдача заказа по согласованию в будни с 11:00 до 20:00 ч. по московскому времени.
Курьерская доставка по Москве:
Точный расчет после заполнения адреса.
Доставка в любую точку мира по тарифам Почты России и СДЭК.
Предоставляется надежная упаковка и номер для отслеживания.
Менеджер на связи в будни с 11:00 до 20:00 ч. по московскому времени.
Телефон: +7 499 403 1882
Мобильный: +7 916 040 6633 / WhatsApp, Telegram